Truth as a process

The New York Times Magazine took a comprehensive look at the American media’s evolving coverage of Osama bin Laden’s death, perfectly illustrating our course text’s contention that journalistic truth is a practical, functional and evolving process. From the article:

Where does the official bin Laden story stand now? For many, it exists in a kind of liminal state, floating somewhere between fact and mythology. The writing of history is a process, and this story still seems to have a long way to go before the government’s narrative can be accepted as true, or rejected as false.

Jonathan Mahler also addresses the seduction of narrative (often at the expense of facticity):

These false stories couldn’t have reached the public without the help of the media. Reporters don’t just find facts; they look for narratives. And an appealing narrative can exert a powerful gravitational pull that winds up bending facts in its direction. During the Iraq war, reporters informed us that a mob of jubilant Iraqis toppled the statue of Saddam Hussein in Firdos Square. Never mind that there were so few local people trying to pull the statue down that they needed the help of a U.S. military crane. Reporters also built Pvt. Jessica Lynch into a war hero who had resisted her captors during an ambush in Iraq, when in fact her weapon had jammed and she remained in her Humvee. In an Op-Ed essay in The Times about the Lynch story in 2003, it was Bowden himself who explained this phenomenon as ‘‘the tendency to weave what little we know into a familiar shape — often one resembling the narrative arc of a film.’’

Was the story of Osama bin Laden’s death yet another example of American mythmaking? Had Bowden and, for that matter, all of us been seduced by a narrative that was manufactured expressly for our benefit? Or were these questions themselves just paranoid?

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